Art exhibitions & academic

Art and Video Exhibitions:

Repeat Hikari: selected for showing at Supernova Digital Animation Festival 2019. Denver, September 2019.

Tell me a story. Showing of Innominate, as part of an exhibition of work by about 26 artists at CRUgaleria, Porto, Portugal made from an installation in Second Life by Meilo Minotaur (Sameiro Oliveira Martins). 4 May – 28 July 2019.

Future City. Show and talk for Oxen Park Cinema Club. November 2018.

The Comings and Goings of a Virtual Itinerant Wayfarer. Continuous showing of Repeat Hikari in entrance foyer of Salford University at MediaCityUK, as part of NWCDTP Postgraduate Conference, Digital Humanities, Human Technologies, 10-11 October 2018.

Innominate: selected for showing at Supernova Digital Animation Film Festival 2018. Denver, 22 September 2018.

Future City: video art and the montage of virtualities and realities. Continuous showing of Future City in a bus, as part of the Visual Research Network Conference, Creative Image: Ways of Seeing, Representing and Reshaping Reality. Manchester University, 26-27 September 2018.

Interface. Continuous showing of There is No Cure for Curiosity and Future City, as part of an art exhibition of 23 artists organised and curated by neo:artists. At neo:gallery23, The Market Place, Bolton, 31 March – 20 May 2018.

There is No Cure for Curiosity: Moving between worlds using machinima. Continuous showing of There is No Cure for Curiosity and Future City in a shipping container, as part of the Mobile Utopia: Pasts, Presents, Futures conference. Lancaster University, 2-5 November 2017.

The Digital Pilgrims: selected for showing at Supernova Digital Animation Film Festival 2017. Denver, 23 September 2017.

The Constant Falling. Show and talk for Oxen Park Cinema Club. January 2017.

Our Music of the Spheres: selected for showing at Supernova Digital Animation Film Festival 2016. Denver, 24 September 2016.

Academic Presentations:

The Comings and Goings of a Virtual Itinerant Wayfarer. NWCDTP Postgraduate Conference, Digital Humanities, Human Technologies, with continuous showing of Repeat Hikari in foyer. Salford University at MediaCityUK, 10-11 October 2018.

Future City: video art and the montage of virtualities and realities. Visual Research Network Conference, Creative Image: Ways of Seeing, Representing and Reshaping Reality, with continuous showing of Future City in a bus. Manchester University, 26-27 September 2018.

Virtualisation of Past and Present: Art and the Salvage Narrative. After Fantastika conference. Lancaster University, 6-7 July 2018.

There is No Cure for Curiosity: Moving between worlds using machinima. Mobile Utopia: Pasts, Presents, Futures conference, with continuous showing of There is No Cure for Curiosity and Future City in shipping container. Lancaster University, 2-5 November 2017.

The Body and the Avatar, the I and the Other: Self creation in virtual worlds explored through machinima. NWCDTP postgraduate conference, Exploring Identity: Between Being and Belonging, with showing of The Digital Pilgrims. Liverpool University, 25-26 October 2017.

Autoethnographic Explorations of Virtual Worlds with Machinima. FASS (Faculty of Arts and Social Sciences) Summer Conference. Lancaster University, 26-27 June 2017.

Exploring Social Issues and Cultural Knowledge through Machinima. sIREN Conference: Arts and Digital Practice, with showing of Falling Between Worlds. University of Edinburgh, 30-31 May 2017.

Publications

The Art & Mobilities Network Inaugural Symposium (2018), Instant Journal.

WomenCinemakers Biennale 2018 Special Edition on Independent Cinema, Documentary, Dance Video, Experimental cinema and Video art. Tizzy Canucci, Official Selection for the work The Digital Pilgrims.

Mobile Utopia: Art and Experiments (2017) Jen Southern, Emma Rose and Linda O Keeffe, Monika B├╝scher. ISBN: 978-1-86220-339-6

Hopes and Fears (2015), The photographer subculture inside Fallout, GTA and Left 4 Dead (and Second Life). Interview by Richard Moss.